Visions of Hyperspace, forecourt of Reality, the Gateway of 5-D Cinema and Mental Film Making

Are our visions of Hyperspace happening in the forecourt of our mind and is higher dimensional art a super-conscious perspective view of our Reality?

At 5DLux we engage with the deepest questions of reality, its fabric, the ability to mould and manipulate it and the results of such manipulation, and all through film techniques.  As such we ask very thorough questions and explore higher and lower realms, deeper dimensions and we become honorary citizens of Hyperspace.  After all, to understand the Universe is to understand the mind - as the Universe is mental.  The understanding of the mental universe is of key importance to the ability to shape personal and collective reality through cinema: the very concept of 5-D Film.  So let us investigate the place that is Hyperspace and how to get to it, as reflected in media, culture, philosophy and religion and as found in person through deep meditation. After all, finding the access / exit point that is the singularity is the grand prize - but where exactly does it lead?

Hyperspace in Big Hero 6. The robot touches the human boy, teaching him
about trust, faith, sacrifice and evolution through hyperspace dwelling.

God reaches out to Adam: the creator of our mind, a Universe in and of itself, reaches out by means of projection,
creating a self-image and consciousness in the process.  Creation becomes self-referential.

The artist is an Avatar of the Threshold Guardian, a Trixter agent.  Dancing between chaos and structure, between madness and seriousness, between play and work, between left brain and right brain.  The Monkey King is lost in his own game, does not realize his potential and power or is happy to play and let his true power be for what it is during the game.  Perhaps it is a game of limitation, of self-frustration.  The Monkey King, Loki, Esu.  The 13th month, the 73rd name, part of the game and not, standing with one leg in the physical realm, one in the spirit realm.  Shaman, Bird Man (the Eagle transcends, landing on Earth and roaming the Sky), Rain Maker, Wizard, Me-Sin, Merlin.  The artist tells the story exposing our 12 parts, explaining who we are in all our brightness and darkness and to do this, he must travel the road, journey the wheel, see and live all parts and eventually stand in the center.  The center is a void, totality, potential, no part and all parts of the great story at once. He who can live with this paradox and keep a playful yet focussed mind, will be a great artist, an entertainer, a healer, a world builder and destroyer.  The sand painting that makes up the illusion of stability, harmony and construct must be wiped out to wake us up from the dream and start again.  Because where is the joy in a frozen dance?

Culture is ritual - stories, characters, all representations of our body, mind and soul parts. Ritual serves a purpose - to understand ouselves better, to understand the world, to control oursleves and to control the world around us. Understanding the purpose of the ritual is key, central, vital - not knowing what you are doing or why is not only ineffective, it is potentially dangerous and it will most likely lead to dissolving of culture as more focused, purposeful and understood rituals (cultures) come in.

Trixter: Joker, Esu, Loki, Monkey King, Hanuman, Fool, link between left brain and right brain,
on the crossroads between physical and spirit realm, between work and creativity,
between life and death, beginner and ender of the cyclical game.

Meeting the Trixter - through art, meditation or in a moment of vision - is a moment of coming up for air, a brief moment of sanity, of clarity through the expression of chaos.  The point is that there is no understanding of the self (Who Am I) but the understanding that this is an unknown, that 'one is' and 'one can't be' all at once, and that that is OK. There is no resolution, not end station, no escape or next stage. The appearance of another place is what keeps the whole thing going - us reaching for the next thing, the next level, the way out, the way in, whatever.  I am not saying: abandon all hope, but just to be aware of what that reaching for the next thing is so that you can find the origin of that desire and find the desirer - the core of you / I.  Stepping through the door: Yin checking out Yang.  The door is the first and only gift / investigation by the paradox.  The door isn't and is at the same time, very paradox, because is the door the frame, is it the wall around the frame or is it the hole? And how can there even be an angular frame because an angle cannot be defined, is infinite in itself.  That is the only way it can be. And subsequently, if you want somebody to run circles and never go through a door, you turn the angle into a circle - another infinite shape that had no finite measure.  You cannot escape an egg, a torus, a Moebius circle, by running on its surface.  Only by looking up can you realize you are in a looped space and only by looking down can you see the ground leading to another side.  Not the way out but at least another side.  'Out' is the void space other than the surface you are running on - non-existence in the form of perceived 'space'.

Once you go through the door you have started the journey because you have believed there is a door to go through and there is an other place to go to, an other way of being, another idea and new input.  The Gate of the Sun - that is why there is a Gate at the Lake Titicaca site.  It is a place where the concept was tried out with success and here we are.  A Paradox experiment.

Hanuman as the Trixter, the Monkey King, Son of the Creator and of Man, Self-proclaimed King of Fools,
face of the Great Fractal of Reality.

Behold an image of 'The Self-appointed King'. The crown on the head of the God being the crown of the Fractal.  A self-crowned consciousness but the kingdom is within itself, infinitely deep but by far not infinitely large.  When you look at a typical Hindu image such as Hanuman the monkey king, Trixter extraordinaire, he wears the Fractal as a crown on his head, holds the physical plane in his hand like a toy and wields the sceptre of self-appointed kingship.  A king of his own creation or the lunatic running the asylum with no parents in sight.

Hyperspace

So what does hyperspace look like, how has it been depicted by artists and how does that place tie back into our mental space?  After all, we are most interested in cinematic experience - something happening inside the heads of our film audience and ultimately within the conscious experience and reality projection of the individual and collective audience members.

The Domed space in which Zion lies - the human city in the Matrix film trilogy.
Notice the dome as referred to by all those astral traveling out of our 3-Dimensional reality,
the Quadrant layout of the Four Elements (the 12-Zodiac), the central light powering the construct
and the clever reversal of having the dome cracking announcing the invasion of the machine-angels of death
and the inevitable reset of the illusion / reality story.

If all art is an attempt to picture the artist's internal world then picturing the place commonly defined as the Sanctus Sanctorum - the gateway to the Source of all thoughts and projections, the bridge to the higher self, the domed Hall of all potential - then it is indeed incredible relevant.  It is, in that case, the only question.  Do we ask ourselves, however, what we would do, say or ask once we have crossed the bridge, entered the portal, penetrated the veil, traversed the wormhole and conquered the vortex?  The movie series The Matrix puts it well in the meeting of Neo, representative of the One who manages to step out of the construct, Trans-Cosmic Man, with The Architect, The GAOTU, Vishvakarman, Ptah, programmer of the fractal algorithm of our reality:

"The Architect: I am the Architect. I created The Matrix. I've been waiting for you. You have many questions, and although the process has altered your consciousness, you remain irrevocably human. Ergo, some of my answers you will understand, and some of them you will not. Concordantly, while your first question may be the most pertinent, you may or may not realize it is also irrelevant.

Neo: Why am I here?"

GAOTU - The Great Architect of the Universe, AKA Vishvakarman or Ptah

Interestingly, the gateway to the central place, the higher realm and even the other side, is normally depicted and told to be in the Underworld or rather, in the Watery Deep - accessible from the underground.  Its ruler is Osiris, father of Horus (the Son, the One, Adam Kadmon), husband of Earth Mother goddess Isis.  Bifrost, the Rainbow Bridge to Valhalla lies in Hel, the underworld.  In Alice in Wonderland Alice goes down the Rabbit Hole, underground, into the dream realm that appears to mimic real life but in a more archaic way.  Is this a journey to the Higher Self through the subconscious?  Is the access to Heaven to be found in our dreams - in a very specific body and brainwave state?  Yes, it is.

The Triskele - the three circles - is a trinity and vortex symbol found throughout the world, finding its source in the timeless space of the Innerverse and the Mental Plane.

In the movie 'Big Hero 6', as in 'Stargate', '2001: a Space Odyssey', 'Star Wars', 'Star Trek' and 'Interstellar', hyperspace is a wormhole or higher-dimensional space through which one can travel and possibly find higher dimensional-dwelling entities as well.  Truth and purity appear to be defining factors to be found by lower dimensional entities (humans and robots) in these higher dimensions.  The entry point looks different in all these movies, from a ring to a square door to a globe, while the location of this doorway is either on the planet's surface or in space, not so much in the Underworld - unless the regions of Saturn and Jupiter are to be considered Underworld locations (and they can easily be in fact).

2001: a Space Odyssey hyperspace.

Point is, these wormholes are not singularities but more shortcuts through higher-dimensional space, not so much throughways to those actual higher dimensions themselves.  In the case of wormholes, the higher dimensions themselves remain inaccessible.

Current scientific representation of a wormhole.

The most important part of dreaming is the acceptance of the dream world as real and/or forgetting the reference of the framework of the real world around one.  This has nothing to do with the visual detail, realism or any kind of recognition of shapes and characters.  We accept the dream as real in the moment of the dream because a mechanism has been switched off – or on – in our mind to accept the reality presented as 100% real. The same mechanism applies to our waking reality.  As we perceive from within this experience we call reality, we have no reference point, no framework to verify how real this reality of our actually is.  And it doesn’t matter because we accept it as 100% and go on with our lives within that acceptance.  Accepting one’s environment as real has therefore everything to do with removing or activating a mental mechanism.

The only way to confirm the existence of the place across the bridge is to cross the bridge (the gateway, the wormhole, hyperspace) to the other side.  While on the bridge, neither side can be confirmed as being real, while only memory serves to assert the place you just came from was real.  Once crossed, however, only the current side can be confirmed as real again, as the side you came from is now nothing but a memory.  It is the memory of a moment ago that serves as a touchstone of reality and a sense of self.  The bridge, the Corpus Callosum at the center of the brain, then, is the physical starting point to truly work with this reality machine.

Vishnu dreams the great dream: the Lotus Flower of reality, Maya, the Great Illusion, the Mental Construct,
The Matrix, the currently Dualistic Cosmos.  Lying on the great Naga King in the Sea of Infinite Potential.

This depiction of Vishnu, too, is a depiction of Hyperspace, but much more ancient than that of modern film productions.  Film productions refer to this type of imagery gladly, without necessarily implementing its power.  In this Hindu image of our reality bubble, Vishnu is dreaming the great dream, the illusion that is Maya, and it emerges as a Lotus flower connected to an umbilical cord to his navel.  Lying on the sea of pure potential, with Lakshmi by his feet, being more real than the dream, but Vishnu is focused on the dream, enchanted by its kaleidoscopic refracted mirror image. Notice the umbilical cord to Vishnu's navel: the Vishnu Nabhi, the singularity leading back to Source, the Point of Origin, the Central Sun, the Big Bang Omega point outside of Space and Time.

Being a sea of pure potential, anything and everything is possible.  There is no structure or limitation and any sort of laws of physics or dimensions do not apply.  It may not be a place to hang out for a relaxing time (outside of space, time, existence, identity, being, *any*thing) but to operate from this space clearly means any physical or mental application, adjustment or addition is absolutely no issue at all.

So how is this relevant to cinema, to film and television making?  Storytelling IS opening the portal to Hyperspace, film making IS visualizing the dream for the wakeful state. As said, pretty much all films and television programmes produced to day may refer to this type of knowledge and understanding, its depictions and its narrative explanations, but working with and from this higher dimension 99.9% of film makers do not do.  Since you are reading this, you may actually be interested in doing so, so do drop us a line!

The 2001 gateway: the Black Monolith.  Gate of the Sun, symbol of Isis: Ashera of the Rings.
Standing on the Lion, personification of the Tree of Life, gateway to consciousness.

In the Tron movie the other world is an electronic one, no less real for it however, but equally populated with shadow copies of the characters in the 'real' world (containing the electronic world).  The access point is a laser beam (a concentrated light source generated through an EM field) and the way out is through a tower come pyramid structure come stargate / gateway in the outer reaches of the Tron Universe, accessed and operated through the user's identity disc (DNA, memory, consciousness, soul memories, Akashic records).  Tron hints at the existence of other dimensions as previous or future realities or thought experiments of a (flawed) creator.  But progress is possible and new realities are built upon the old mistakes through complete internal destruction, reset or external reboot / reprogramming.

TRON as a creation story and a hint to the way in and out of Creation

Remaining underground, the Matrix movie trilogy introduces a reversal of sorts (or is it?) and puts the dome (Cosmic Egg) of 'reality' labelled 'Zion' deep underground.  It is a bubble of human existence under a world of machine-rebuilt upper ground world - a world that is still underneath a constant cloud cover that the machines cannot get through.  Machine and Man fight in between these two levels and then also engage each other in a virtual reality, adding an extra layer of heaven as a sandbox for engagement and creation.  Within the bubble of the dome, a beam of pure light as per Shiva's column of light within the Cosmos, powers the human city.  This city has the layout of Adocentyn: the Four Gates, 12 sections, the Zodiac, the clock and the calendar.  Saturn, the Time Keeper and Grim Reaper, rules here, for this is the domain of the dying flesh.  Outside, the eternal machines rule as angels (brutal, human-killing and abusing angels) but the machines cannot exist without the humans and so they refrain from destroying them altogether, having turned their backs on their human creators.  To get out of the virtual reality, Neo needs to take the Red Pill - a reference to Alice in Wonderland and DMT-related revelation of reality illusions.  To get out of the bubble of the human reality, Neo needs to take a Merkabah ship out into the machine realm, and to escape this he needs to take the Merkabah above the cloud cover.  However, in order to truly see beyond all these confines, Neo needs to be blind and see with his internal eye to observe and control the pure energy nature of all of the worlds between which he travels.

Sentinels from The Matrix: notice the many tentacles and eyes, the serving
without question of the absolute master to uphold top-down order and
survivalist cyclical existence. Angelic attributes.

A gateway offered by Duality in the form of the Trinity

Duality produces the possibility of the 'other', of the 'new', the child, of evolution, of combination and rejection.  It is no surprise that to live in non-duality is considered to be the greatest good in Buddhist practice, as to be truly non-dual is to jump out of our reality altogether to a place of Oneness.  Duality is the construct on which our reality is based because duality (a binary system of 1 and 0, of black and white) enables possibility versus non-possibility.  How can a point exist if non-existence isn't there to contain it - within the same dimensional space, that is?  A particle needs a vacuum to be in, even if that vacuum cannot be defined in terms of the particle - and nor can the particle be defined in terms of the vacuum.  Still, the two polarities co-exist and allow each other to be.  These two opposing or complementing forces, then, allow for the creation of a Third option by combining their aspects.  The Mental Plane is projected as a third level and Mentalism becomes possible: The All is Mind, the Universe is Mental (Hermes Trismegistus).  The great illusion as a dream, taking the shape of a Lotus flower springing from the navel of the Great Dreamer (Vishnu).  Those are just names - the dreamer eventually turns out to be you yourself.  You are the observer and the observed, the dreamer become the dream, the projector looking at its projection.

Mystery schools talk about three Suns, three lights, two pillars and a central staircase up to the Dove of consciousness, all observed by the great Eye.  That is Duality creating the opportunity of a third, and also the opportunity to observe and exist from outside of the two possibilities, well above and beyond it.  To be above the polarity, not to swing with the pendulum, not to be dragged along by the swirling vortex that appears to offer no alternatives - but to be in the calm of the center of the storm.

The Rebis as a representation of the Third Light: the physical and the mental light producing the spiritual light:
Super-consciousness.  Awareness of one's duality, of one's polarity, awakened to the combined power
and the higher potential result of both sides of the paradoxical alchemical marriage.

When we extend the concept of the Third Way as super-consciousness, above the system, from 2+1 to 3+1 and 4+1 it becomes clear all these different meditation systems and ways to describe reality are pointing in the very same direction.  The way out of the swirl, seeing the forest for the trees, find a little piece of heavenly rest in the madness of the eternal Game.  And a way to control the game rather than being a blind player in it - a pawn of duality.

The Third way extended to the Fourth Way and the Fifth Element.  Also, a hint by Michelangelo about projection
and reality creation and where that Third Eye may be located physically, if not the focal point of consciousness itself.

Realizing the totality of the self (Atman) and the completeness within and without ourselves is taking a step into the center of the circle, of the projected sphere or Egg around us.  The center of the storm - the Eye of the Storm, the singularity of the vortex.  Stepping behind / out of the observation and then the observer himself and finding out a selfless, boundless, non-dual non-local core.  Is that the way 'out'?  Is non-existence, non-identity the place to go?  It is a realization that will allow for complete acceptance, power over the self and your direct environment and then also a shaping of reality with the greatest ease and comfort.  And that realization can be presented through film to an eager audience.

The Great Cycle in Man: from Conscious to Super-Conscious, to Unconscious and Sub-Conscious.
From wakefulness during the day to unawareness during the night, both literally and symbolically.
Also: the tentative link between AIO as a name of God and Man - is the aware human like a God
and/or does he or she project a God as a thought form to become a real energetic super entity?

Man (human) IS the Creator and the Creation all at once.  Observation is creation, the Cosmic Egg forms around our perception.  The boundary of our Universe is the edge of our Higher Self, our soul.  Maybe we are a brain in a jar in a cruel lab or maybe we are wearing a VR helment and we can't find the OFF switch - or perhaps we are a holographic echo of a Universe once real, now swallowed hole but a singularity at the end of time.  For now, though, we will just keep it at being in a Cosmic Egg of our own expanded consciousness in a Sea of infinite potential.  All roughly the same thing, in the end.

Man as the Cosmos Vortex, as Time and Space itself in ultimate Correspondence but also in Pandeic reality:
Consciousness as the One and only experience. In Hindu / Vedic terms: the mind of Vishnu (the Illusion, the Dream)
as the body of Shiva (The Cosmic Consciousness), as the playground of Krishna (Conscious lifeforms
within the Cosmos on the physical plane)

All is vortex, all is inward and outward spin. At the center a singularity point, a point of realization, consciousness, awareness, now, the center of time (and space).  Observe the hints all around you - more often than not right in your face.  It is pure simplicity in the form of ultimate complexity - how Paradox.  Perhaps the door is the frame around it, perhaps it is the hole in the center, but most likely it is the realization there is a door rather than just a random set of meaningless factors.

 

The Singularity and the Cosmic Egg

How do you like your Cosmic Eggs in the morning?  I like mine with a Spiderwoman's kiss.  What's with the vortex and the two balloons?  A clever little trick illustrates the game's construct:

A fun little vortex game...

Let's make some 5-D films now.

www.5dlux.com

Written by Alexander Lentjes of 5DLux.

Verba Significata: Transformational storytelling to awaken and illuminate

Transformational scriptwriting By Alexander Lentjes of 5DLux


You may be a director looking for ways to implement metaphysics in film, theatre, television, animation or web production.  Or perhaps you are a producer looking for crew with the right intention to impact your project's end result on a higher energetic level.  This is the 5-D place to find higher minded film, theatre and television professionals.

Storytelling today: the modern script

The majority of current film and television scripts appear to be following a trend alongside directions society is moving in.  It is an expression of scientism as an approach to humanity in characterization and story structure.  What we read, hear and observe in daily life is translated to story.  The dominant story at the moment is the agnostic scientific one and so contemporary story follows this path as well.  In scientism, love is not a divine energy opening our hearts to allow for higher will to express itself, but a simple bio-chemical reaction in the brain with no further meaning or higher purpose.  This mode of thinking, if continued unopposed, will result in the realisation of a Neo-Promethean promise of a robotic human future led by a Machine Spirit, with the only glimmer of individuality remaining in the shape of a Ghost in the Machine as the only allowance for non-programmed decisions.  The Substantia Prima has gone from being pure Love to being a Higgs-Boson particle.  The soul is dead, long live the bio-electric program.

The deprivation of sensual pleasure is not a sanctified road to the truth.  In fact, Soul Sensing completes the 360 degrees of experience rather than sticking to a narrow 5 degree angle of sensory input.  By deflating the explanatory compulsions of psychological theory we direct our attention to our lived world, calling into play the aesthetic, that is, the sensing, imagining heart.

In the modern scientific philosophy there is no goal, no aim, just random chaos from which only luck shapes our current situation.  In this model all your brain activity is a result of pure luck and chemical chaos, including all of your logical thinking, artistic expression, feelings, emotions, dreams and higher etheric insights.  This message of no responsibility and no consequences means the modern day story is changing from one of character's choices to one of characters propping up the current level of comfort to remain for as long as possible and to destroy adversaries to this comfort at all costs.  There is no view to lessons learned from mistakes leading to disaster and no regard for concepts such as personal growth, humanity, spirituality or any sort of purpose. This can be called an accurate reflection of the going social attitude, where I'd say the types of stories being told are instructing society in its morals, in the lessons to be learned and in its definition of humanity.  In tandem with this trend, focus has shifted from a Hero's Journey to a Villain's Journey.  Villains can be redeemed and no pirces need be paid, while Heros don't need to make any big decisions or Leaps of Faith, never needing to rely on trust, only on calculated cleverness.  The mask of the false self can reamin on, uncomfortable confrontations with choices between the dark self and the true self stay out of the picture.  Acting from the Heart is an unpopular activity anyway.

There has to be this mention of the question of science versus the etheric, esoteric, magical.  But why do the two need to be pitted against each other?  There is no reason why the two cannot work together to allow for new routes to be taken in the quest for understanding and employment of understanding for a better life.  Science as an approach to knowledge actually comes from Magic and science was even called magic for the largest part of Mankind's history.  The systems developed by Mankind to be able to practice efficient magic turned into the base pillars of science.  Schematic, structured working, holding the all in the mind to grasp the greater connections and pathways to the core of knowledge.  Looking at what lies beyond the surface of that which is visible to the naked eye.  Revealing that which is occluded: the occult.

5-D and the paradox of existence as the great teacher of consciousness

Ironically, the great 'gods' of science like Pythagoras, Newton and Copernicus were working from a framework of Magic or were even Master Freemasons themselves.  Were they revealing knowledge rather than inventing?  Did the Ancient philosophers not all study in Heliopolis and come back with great ideas about the construct of the Universe?  The very idea of schematic representation and the catching of the whole of existence in a diagram was ultimately a creation of the biggest magi and mystesists of the past milennium: Giordano Bruno and Ramon Lull.  Without their visions and desire for a true understanding and internal containment of God's full creation, we wouldn't have had flowcharts today.  Time spent in libraries, magnetic caves and geomagnetic mountain tops appears to do something equal to all philosophers (now called scientists or gurus): return with great knowledge and understanding of the building blocks of our reality.  A great irony of our time is that science in its beginnings was never supposed to replace mysticism or spirituality, but to contribute tools to an unveiling of the full divine beauty of all that was observed (and thus quantum state locked into stable existence).  We seem to have reversed the process in our quest for some limited, measurable, abstract truth.

Phi and its Fibonnacci expression in nature and ultimately in human form, size and energy center locations

Science is of course incredibly important to our way of life.  We are alive in the wealth and health we enjoy becasue of science (even though one can easily argue we used to live much, much longer lives with much more power and ability before our current civilization developed).  At 5DLux we work with science 100% but we allow as much of a voice to quantum mechanical and string theories as to vibrational frequency healing theories.  If the effects are apparent, there is no reason not to.  The issue with science is that if there is no way to currently measure what causes a certain ethetic effect, the effect is simply ignored.  A simple example is the ability of birds to sense the magnetic patterns eminating from the Earth's surface to find their way from A to B.  Because no organ has been found in birds to exaplain this ability, it is called a scientific problem and then simply disregarded.  An explanation that involves senses finer than the blunt tools on the surface of the animal will not be considered because that would fall outside of the current scientific framework.  And so the problem is not resolved, while an investigation into the true workings of magnetic super-sensitivity could (and certainly would) herald the dawn of a new scientific-mystic crossover Era.  A science with consciousness, an intuitive science, inquisitive, open and objective.  Not a science that is outcome-led, restricting itself to set trules and equations.  A science allowing for the unseeable, within a framework of reasonable doubt.

And yes, If it looks like a Duck, walks like a Duck and Quacks like a Duck, it is not always actually a Duck...  One has to keep one's mind open to all the possibilities, especially when the outcome of research yields uncomfortable results.

The mechanial Duck of Vaucanson

Divine Will

The concepts of divine will, astrological influence and interaction with higher level vibrational realities all mean there is a certain senior oversight, an adult supervision and consequence to our actions.  These concepts mean we need to behave in a grown-up fashion and act responsibly. Judging by today's story telling this is currently a very unpopular sentiment.  Ultimately, the inability to connect with our higher selves and higher concepts in favour of following basic consumerist impulses will inevitably lead to our destruction (without eleventh hour miraculous technological, resource-independent solutions) and at the very least will lead to desolation and a loss of any goals or aims.  Modern day media appears to gleefully embrace the approaching brick wall for humanity - after all, panic and doom sell.  Our ability to shape the Quantum Potential Field for our own direct benefit is then obviously also ignored and Man will not know himself, or only know a thin physical veneer on a infinitely larger, hidden reality.

The etheric approach introduces fate AND destiny (two very different things), leading to responsibility - not taking it away by shoving into the hands of higher entities and energies but putting it firmly in the hands of the protagonist (a main character in a sotry or you in real life).  A complete ignorance of higher realities can be argued to create more responsibility by means of putting all of the actions and consequences into human hands, but pray do tell me, how is that working out for greater humanity at the moment?  The end result is a justification of the smash and grab free for all society we live in today.  Basically, what we see is a pure left-brain approach over a balanced left-right brain collaboration.  Pure left brain existence is a dictatorship of logic, reason and an unquestioned compliance to rule and imposed truth.  Pure right-brain existence is floaty, with no calculation of elements, only emotion and sensuousness and little to no filtration of fact versus fiction.  As much as Body, Mind and Soul need to be balanced, so need the two brain parts be connected and communicating.  The place of this communication is the Corpus Callosum, the Centre, the Core, the Connection, the Paradox, the Singularity.  This is where we operate from at 5DLux.

The Four types of Will in a zodiacal wheel, overlaid over the Human Brain and stretched out over the Human body.
The center of the Brain represents the fifth type of will: Pure Consciousness (the Dove). Not coincidentally,
the center of the Book of Kells illustration (a version of Man as the Merkabah) is the Chacana Cross

Story plays an incredibly important role in reminding the audience of their humanity, of their consciousness, of their soul and of their ultimate power and a positive way in which to use that power on this planet.  The etheric approach also introduces the concept of mutual energetic benefit in the form of correspondence, through the concept of the Temple of Man.  A very powerful tool and one that is almost mad to ignore.  But then again, as Rudolph Steiner put it so well: to find the Macrocosm of the Universe in the Microcosm of Man means not only access to all this immense power within Man, but a realisation that the pollution of the body is a pollution of the Cosmos.  An epic level of responsibility is introduced - or highlighted!

Correspondence, a core concept of the original Gnostic magic-scientific crossover system: Hermeticism

When you boil it down, Consciousness is the process of analytical refinement.  Observing effects and analyzing them trough a diagram that goes from the generic to the specific.  When that diagram includes more possibilities of explanation, a wider consciousness can be employed to analyze effects and to come to a wider variety of conclusions.  David Lynch puts it nicely with his golfball analogy.  More possibilities do not proclude each other and more often than not actually complement each other. Why, you are more than welcome as a writer, producer or director to keep producing the same old, or rather, the Brave New stories and change absolutely nothing in the potential destiny of your audience, young and old.  For those seeking to contribute to the soul and to widen the consciousness of their audience, keep reading and get in touch.

The concept of alchemy is known and employed within different fields and products most of us are familiar with.  Homeopathic remedies (Dr. Vogel), macrobiotic food (Biona), holistic make-up (Dr. Hauschka), holistic schooling (Steiner) and synethesiast art (Goethe) are examples employing the principles.

Multiple vibrational levels, multiple energetic bodies.  Core concepts of Alchemy and Antroposophy

Since alchemy considers the physical form to be a result of energetic processes, a last step in the refinement of vibration from the generic to the specific, the alchemical view looks at root causes of effects and not just the physical end results.  The bio electro-chemical processes in the body are but an expression of the higher energetic realities materializing the body.  Attempting to measure the energetic from a physical level results in frustration but not being able to see a cause does not mean it is not there.  Were magnetism, radioactivity and molecular chemical function not there when Man could not register and measure their existence?  In the mind of the pre-modern scientist the concepts must have sounded like fiction and even heresy.  So indeed as well with current scientists who cannot measure etheric realities yet, even when quantum mechanics are getting close to finding and redefining these causes.


A Michael Bay loophole for 5-Dimensional results

Besides the various vibrational and archetypal ways the Third Eye and Crown can be activated and opened (ask us about this), there is a loophole for those alchemical screenwriters and film makers looking to keep the screen filled with sex, violence and greasy food, whilst still opening up the pathways to higher understanding (Yeay!).  This loophole can be found in the biochemical function of the glands representing the Third Eye and the Crown chakra: the Pineal gland and the Pituitary gland.  Once stimulated, the corresponding chakra may be activated and Third Eye visions and Crown bridge connections can result.  Ironically, the stimulating imagery is of the most basic survival kind - although the Alchemists amongst you will know there is no irony at play here at all.

Glands and Chakras in the Head.  Understanding actual anatomy is key to placing the energy centers
that the Chakras are correctly so as to be able to activate them in the most and best ways as well.

Purely bio-chemically speaking and ignoring the higher vibrational functions of the pineal gland (including DMT production), the pineal gland (epiphysis cerebri) is responsible for the regulation of:

- Hibernation
- Sexual development
- Seasonal breeding
- Metabolism: the conversion of food into energy

The pituitary gland (hypophysis), then, is responsible for:

- Blood pressure
- Sex organ functions in both males and females
- Metabolism: the conversion of food into energy
- Water and osmolarity regulation in the body
- Water balance via the control of reabsorption of water by the kidneys
- Temperature regulation
- Pain relief

So one can show the visual elements realted to these functions to activate the glands. One could show a fire, a hot desert, a sweaty jungle, rain, sea and lake and water drinking, food, fruit, vegetables and eating, good and bad pain endurance, high action for blood pressure and of course sex, erotic and stimulating imagery.  Ideally all at the same time.  This, whilst using lower light levels and showing yawning, sleepy and sleeping people and beds, pyjamas and sleep related items.  Sungazing imagery can also do the trick.

The use of mantras and chanting can also gradually awaken the pineal but one would need to convince the audience to start chanting / singing with the film.  The point of this approach is that once the Third Eye and Crown have been stimulated, the following imagery and messages should reflect concepts of higher consciousness and allow access to information furthering positive energy communication.  In modern film, the message is rather more one of violence resolving all and the ends justifying all means.  No wonder we've grown increasingly numb to violence on screen and in real life.

Belenos, the Sun

Qualia & quality as secondary results versus quantity and its primary results.

Spirituality can be called another word for the action and the prerequisits of connecting to the higher self, like Yoga and meditation are and do.  The truth lies within you, it is only a matter of exposing it and becoming aware of it, conscious in other words.  Consciousness is the name of the game.  Even the core scientific concepts of Special Relativity and Quantum Mechanics are a description of consciousness.  The observer sets the framework of time, the observer collapses the quantum state.  Without observation there is no absolute reality other than a physical tendency based on Fine Structure and Cosmological Constant agreements.

It will probably surprise most current day scientists to discover that both Einstein and Planck were spiritual and mystical in their views.  Both men were religious and both based their concepts on the assumption of the existence of a 'Medium' or a  Quantum Potential Field, a Harmonic Field allowing and shaping energy communication and itself shaped by consciousness.  Agnostic science is a very new phenomenon and is in essence a reductionist exersice in stripping down reality to its soulless, unrelated and unrelatable machine parts.

Do you remember a rose by its description of a red, luscious, beautifully smelling flower or do you get a feeling of hapiness inside when the number of atoms, electrons, Higgs-Boson particles and their quantum potential states are named?  Is that unrelatable, unimaginable part "the truth" and does such a truth provide us with an escape from responsibility for our actions?  Such diminishing removed definition of the road we walk on and bars ideals and goals to work towards because it ultimately it allows us to be units of chaos-formed DNA machines without value, purpose or sense of ourselves and our environment.  Dramatically speaking, that is.

We are talking about the quality of perception here: Soul sensing.  The battle is that of secondary qualities versus primary qualities, but why can we not honour both?  A quality experience can be achieved through a film product of very high artistic quality, helped by technical quality (providing an unobstructed or more intense experience).  However, a quality experience – a satisfying of the soul senses – can also be achieved through the use of soul sense-reaching techniques: 5-D film.  Here, we agree with Democritus, Dahlin, Berkeley, Goethe and Steiner.  The physical senses can struggle to reach the soul senses, but the soul senses reach both the physical senses and they activate etheric energy flow for a spiritual experience.  Primary qualities such as shape or figure, size and extension, motion or rest are ultimately pure abstractions, for they are never actually separable in our immediate experience from so-called secondary qualities such as colour, sound, light and darkness, heat and cold etc.

John Locke, proponent of the importance of Primary Senseand the Tabula Rasa.  Inspired Voltaire a lot.

Jimmy Hendrix, Janis Joplin, Kurt Cobain and Amy Winehouse ultimately died of modern Western society's failure to embody and respect the reality of the inner realm.  Our time is full of heroes from the Renaissance and of course such an age has its dawn again.  The Divine in us all, the Light and Wisdom we possess solely by the fact that we are human. - Abraham von Worms, The Book of Abramelin

If you disagree with this modern model that has moved away from the roots of our cultures, consciousness and global humanity, you have come to the right place.  Or perhaps you agre with the staunch scientific mind but you are looking to add a layer of deep, archetypal humanity to your writing.  Or maybe you just want to influence your audience through subliminal psychological messages and special frequencies. We can all believe in and know of the importance of transformational potential in story and ultimately, the immense importance of transformation through insight and trust, leading to action from the Heart, choice and change in character, people and ultimately, humanity.

Besides providing access to a community of professionals engaged in the implementation of 5-Dimensional finer vibrational and etheric techniques in media, 5DLux is probably also the only place where you will be able to gain access to real information sourced from ancient mystery schools and hidden, if not forbidden sources of information for your film, theatre or television production.  Not only can you write about mystical subjects, you can use the power within the occult concepts to add a whole new layer of energy and emotional depth to your project.  May we build Adocentyn in the Nova Hyperborea of our Minds and the Heliopolis of our Hearts.

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