Visions of Hyperspace, forecourt of Reality, the Gateway of 5-D Cinema and Mental Film Making

Are our visions of Hyperspace happening in the forecourt of our mind and is higher dimensional art a super-conscious perspective view of our Reality?

At 5DLux we engage with the deepest questions of reality, its fabric, the ability to mould and manipulate it and the results of such manipulation, and all through film techniques.  As such we ask very thorough questions and explore higher and lower realms, deeper dimensions and we become honorary citizens of Hyperspace.  After all, to understand the Universe is to understand the mind - as the Universe is mental.  The understanding of the mental universe is of key importance to the ability to shape personal and collective reality through cinema: the very concept of 5-D Film.  So let us investigate the place that is Hyperspace and how to get to it, as reflected in media, culture, philosophy and religion and as found in person through deep meditation. After all, finding the access / exit point that is the singularity is the grand prize - but where exactly does it lead?

Hyperspace in Big Hero 6. The robot touches the human boy, teaching him
about trust, faith, sacrifice and evolution through hyperspace dwelling.

God reaches out to Adam: the creator of our mind, a Universe in and of itself, reaches out by means of projection,
creating a self-image and consciousness in the process.  Creation becomes self-referential.

The artist is an Avatar of the Threshold Guardian, a Trixter agent.  Dancing between chaos and structure, between madness and seriousness, between play and work, between left brain and right brain.  The Monkey King is lost in his own game, does not realize his potential and power or is happy to play and let his true power be for what it is during the game.  Perhaps it is a game of limitation, of self-frustration.  The Monkey King, Loki, Esu.  The 13th month, the 73rd name, part of the game and not, standing with one leg in the physical realm, one in the spirit realm.  Shaman, Bird Man (the Eagle transcends, landing on Earth and roaming the Sky), Rain Maker, Wizard, Me-Sin, Merlin.  The artist tells the story exposing our 12 parts, explaining who we are in all our brightness and darkness and to do this, he must travel the road, journey the wheel, see and live all parts and eventually stand in the center.  The center is a void, totality, potential, no part and all parts of the great story at once. He who can live with this paradox and keep a playful yet focussed mind, will be a great artist, an entertainer, a healer, a world builder and destroyer.  The sand painting that makes up the illusion of stability, harmony and construct must be wiped out to wake us up from the dream and start again.  Because where is the joy in a frozen dance?

Culture is ritual - stories, characters, all representations of our body, mind and soul parts. Ritual serves a purpose - to understand ouselves better, to understand the world, to control oursleves and to control the world around us. Understanding the purpose of the ritual is key, central, vital - not knowing what you are doing or why is not only ineffective, it is potentially dangerous and it will most likely lead to dissolving of culture as more focused, purposeful and understood rituals (cultures) come in.

Trixter: Joker, Esu, Loki, Monkey King, Hanuman, Fool, link between left brain and right brain,
on the crossroads between physical and spirit realm, between work and creativity,
between life and death, beginner and ender of the cyclical game.

Meeting the Trixter - through art, meditation or in a moment of vision - is a moment of coming up for air, a brief moment of sanity, of clarity through the expression of chaos.  The point is that there is no understanding of the self (Who Am I) but the understanding that this is an unknown, that 'one is' and 'one can't be' all at once, and that that is OK. There is no resolution, not end station, no escape or next stage. The appearance of another place is what keeps the whole thing going - us reaching for the next thing, the next level, the way out, the way in, whatever.  I am not saying: abandon all hope, but just to be aware of what that reaching for the next thing is so that you can find the origin of that desire and find the desirer - the core of you / I.  Stepping through the door: Yin checking out Yang.  The door is the first and only gift / investigation by the paradox.  The door isn't and is at the same time, very paradox, because is the door the frame, is it the wall around the frame or is it the hole? And how can there even be an angular frame because an angle cannot be defined, is infinite in itself.  That is the only way it can be. And subsequently, if you want somebody to run circles and never go through a door, you turn the angle into a circle - another infinite shape that had no finite measure.  You cannot escape an egg, a torus, a Moebius circle, by running on its surface.  Only by looking up can you realize you are in a looped space and only by looking down can you see the ground leading to another side.  Not the way out but at least another side.  'Out' is the void space other than the surface you are running on - non-existence in the form of perceived 'space'.

Once you go through the door you have started the journey because you have believed there is a door to go through and there is an other place to go to, an other way of being, another idea and new input.  The Gate of the Sun - that is why there is a Gate at the Lake Titicaca site.  It is a place where the concept was tried out with success and here we are.  A Paradox experiment.

Hanuman as the Trixter, the Monkey King, Son of the Creator and of Man, Self-proclaimed King of Fools,
face of the Great Fractal of Reality.

Behold an image of 'The Self-appointed King'. The crown on the head of the God being the crown of the Fractal.  A self-crowned consciousness but the kingdom is within itself, infinitely deep but by far not infinitely large.  When you look at a typical Hindu image such as Hanuman the monkey king, Trixter extraordinaire, he wears the Fractal as a crown on his head, holds the physical plane in his hand like a toy and wields the sceptre of self-appointed kingship.  A king of his own creation or the lunatic running the asylum with no parents in sight.

Hyperspace

So what does hyperspace look like, how has it been depicted by artists and how does that place tie back into our mental space?  After all, we are most interested in cinematic experience - something happening inside the heads of our film audience and ultimately within the conscious experience and reality projection of the individual and collective audience members.

The Domed space in which Zion lies - the human city in the Matrix film trilogy.
Notice the dome as referred to by all those astral traveling out of our 3-Dimensional reality,
the Quadrant layout of the Four Elements (the 12-Zodiac), the central light powering the construct
and the clever reversal of having the dome cracking announcing the invasion of the machine-angels of death
and the inevitable reset of the illusion / reality story.

If all art is an attempt to picture the artist's internal world then picturing the place commonly defined as the Sanctus Sanctorum - the gateway to the Source of all thoughts and projections, the bridge to the higher self, the domed Hall of all potential - then it is indeed incredible relevant.  It is, in that case, the only question.  Do we ask ourselves, however, what we would do, say or ask once we have crossed the bridge, entered the portal, penetrated the veil, traversed the wormhole and conquered the vortex?  The movie series The Matrix puts it well in the meeting of Neo, representative of the One who manages to step out of the construct, Trans-Cosmic Man, with The Architect, The GAOTU, Vishvakarman, Ptah, programmer of the fractal algorithm of our reality:

"The Architect: I am the Architect. I created The Matrix. I've been waiting for you. You have many questions, and although the process has altered your consciousness, you remain irrevocably human. Ergo, some of my answers you will understand, and some of them you will not. Concordantly, while your first question may be the most pertinent, you may or may not realize it is also irrelevant.

Neo: Why am I here?"

GAOTU - The Great Architect of the Universe, AKA Vishvakarman or Ptah

Interestingly, the gateway to the central place, the higher realm and even the other side, is normally depicted and told to be in the Underworld or rather, in the Watery Deep - accessible from the underground.  Its ruler is Osiris, father of Horus (the Son, the One, Adam Kadmon), husband of Earth Mother goddess Isis.  Bifrost, the Rainbow Bridge to Valhalla lies in Hel, the underworld.  In Alice in Wonderland Alice goes down the Rabbit Hole, underground, into the dream realm that appears to mimic real life but in a more archaic way.  Is this a journey to the Higher Self through the subconscious?  Is the access to Heaven to be found in our dreams - in a very specific body and brainwave state?  Yes, it is.

The Triskele - the three circles - is a trinity and vortex symbol found throughout the world, finding its source in the timeless space of the Innerverse and the Mental Plane.

In the movie 'Big Hero 6', as in 'Stargate', '2001: a Space Odyssey', 'Star Wars', 'Star Trek' and 'Interstellar', hyperspace is a wormhole or higher-dimensional space through which one can travel and possibly find higher dimensional-dwelling entities as well.  Truth and purity appear to be defining factors to be found by lower dimensional entities (humans and robots) in these higher dimensions.  The entry point looks different in all these movies, from a ring to a square door to a globe, while the location of this doorway is either on the planet's surface or in space, not so much in the Underworld - unless the regions of Saturn and Jupiter are to be considered Underworld locations (and they can easily be in fact).

2001: a Space Odyssey hyperspace.

Point is, these wormholes are not singularities but more shortcuts through higher-dimensional space, not so much throughways to those actual higher dimensions themselves.  In the case of wormholes, the higher dimensions themselves remain inaccessible.

Current scientific representation of a wormhole.

The most important part of dreaming is the acceptance of the dream world as real and/or forgetting the reference of the framework of the real world around one.  This has nothing to do with the visual detail, realism or any kind of recognition of shapes and characters.  We accept the dream as real in the moment of the dream because a mechanism has been switched off – or on – in our mind to accept the reality presented as 100% real. The same mechanism applies to our waking reality.  As we perceive from within this experience we call reality, we have no reference point, no framework to verify how real this reality of our actually is.  And it doesn’t matter because we accept it as 100% and go on with our lives within that acceptance.  Accepting one’s environment as real has therefore everything to do with removing or activating a mental mechanism.

The only way to confirm the existence of the place across the bridge is to cross the bridge (the gateway, the wormhole, hyperspace) to the other side.  While on the bridge, neither side can be confirmed as being real, while only memory serves to assert the place you just came from was real.  Once crossed, however, only the current side can be confirmed as real again, as the side you came from is now nothing but a memory.  It is the memory of a moment ago that serves as a touchstone of reality and a sense of self.  The bridge, the Corpus Callosum at the center of the brain, then, is the physical starting point to truly work with this reality machine.

Vishnu dreams the great dream: the Lotus Flower of reality, Maya, the Great Illusion, the Mental Construct,
The Matrix, the currently Dualistic Cosmos.  Lying on the great Naga King in the Sea of Infinite Potential.

This depiction of Vishnu, too, is a depiction of Hyperspace, but much more ancient than that of modern film productions.  Film productions refer to this type of imagery gladly, without necessarily implementing its power.  In this Hindu image of our reality bubble, Vishnu is dreaming the great dream, the illusion that is Maya, and it emerges as a Lotus flower connected to an umbilical cord to his navel.  Lying on the sea of pure potential, with Lakshmi by his feet, being more real than the dream, but Vishnu is focused on the dream, enchanted by its kaleidoscopic refracted mirror image. Notice the umbilical cord to Vishnu's navel: the Vishnu Nabhi, the singularity leading back to Source, the Point of Origin, the Central Sun, the Big Bang Omega point outside of Space and Time.

Being a sea of pure potential, anything and everything is possible.  There is no structure or limitation and any sort of laws of physics or dimensions do not apply.  It may not be a place to hang out for a relaxing time (outside of space, time, existence, identity, being, *any*thing) but to operate from this space clearly means any physical or mental application, adjustment or addition is absolutely no issue at all.

So how is this relevant to cinema, to film and television making?  Storytelling IS opening the portal to Hyperspace, film making IS visualizing the dream for the wakeful state. As said, pretty much all films and television programmes produced to day may refer to this type of knowledge and understanding, its depictions and its narrative explanations, but working with and from this higher dimension 99.9% of film makers do not do.  Since you are reading this, you may actually be interested in doing so, so do drop us a line!

The 2001 gateway: the Black Monolith.  Gate of the Sun, symbol of Isis: Ashera of the Rings.
Standing on the Lion, personification of the Tree of Life, gateway to consciousness.

In the Tron movie the other world is an electronic one, no less real for it however, but equally populated with shadow copies of the characters in the 'real' world (containing the electronic world).  The access point is a laser beam (a concentrated light source generated through an EM field) and the way out is through a tower come pyramid structure come stargate / gateway in the outer reaches of the Tron Universe, accessed and operated through the user's identity disc (DNA, memory, consciousness, soul memories, Akashic records).  Tron hints at the existence of other dimensions as previous or future realities or thought experiments of a (flawed) creator.  But progress is possible and new realities are built upon the old mistakes through complete internal destruction, reset or external reboot / reprogramming.

TRON as a creation story and a hint to the way in and out of Creation

Remaining underground, the Matrix movie trilogy introduces a reversal of sorts (or is it?) and puts the dome (Cosmic Egg) of 'reality' labelled 'Zion' deep underground.  It is a bubble of human existence under a world of machine-rebuilt upper ground world - a world that is still underneath a constant cloud cover that the machines cannot get through.  Machine and Man fight in between these two levels and then also engage each other in a virtual reality, adding an extra layer of heaven as a sandbox for engagement and creation.  Within the bubble of the dome, a beam of pure light as per Shiva's column of light within the Cosmos, powers the human city.  This city has the layout of Adocentyn: the Four Gates, 12 sections, the Zodiac, the clock and the calendar.  Saturn, the Time Keeper and Grim Reaper, rules here, for this is the domain of the dying flesh.  Outside, the eternal machines rule as angels (brutal, human-killing and abusing angels) but the machines cannot exist without the humans and so they refrain from destroying them altogether, having turned their backs on their human creators.  To get out of the virtual reality, Neo needs to take the Red Pill - a reference to Alice in Wonderland and DMT-related revelation of reality illusions.  To get out of the bubble of the human reality, Neo needs to take a Merkabah ship out into the machine realm, and to escape this he needs to take the Merkabah above the cloud cover.  However, in order to truly see beyond all these confines, Neo needs to be blind and see with his internal eye to observe and control the pure energy nature of all of the worlds between which he travels.

Sentinels from The Matrix: notice the many tentacles and eyes, the serving
without question of the absolute master to uphold top-down order and
survivalist cyclical existence. Angelic attributes.

A gateway offered by Duality in the form of the Trinity

Duality produces the possibility of the 'other', of the 'new', the child, of evolution, of combination and rejection.  It is no surprise that to live in non-duality is considered to be the greatest good in Buddhist practice, as to be truly non-dual is to jump out of our reality altogether to a place of Oneness.  Duality is the construct on which our reality is based because duality (a binary system of 1 and 0, of black and white) enables possibility versus non-possibility.  How can a point exist if non-existence isn't there to contain it - within the same dimensional space, that is?  A particle needs a vacuum to be in, even if that vacuum cannot be defined in terms of the particle - and nor can the particle be defined in terms of the vacuum.  Still, the two polarities co-exist and allow each other to be.  These two opposing or complementing forces, then, allow for the creation of a Third option by combining their aspects.  The Mental Plane is projected as a third level and Mentalism becomes possible: The All is Mind, the Universe is Mental (Hermes Trismegistus).  The great illusion as a dream, taking the shape of a Lotus flower springing from the navel of the Great Dreamer (Vishnu).  Those are just names - the dreamer eventually turns out to be you yourself.  You are the observer and the observed, the dreamer become the dream, the projector looking at its projection.

Mystery schools talk about three Suns, three lights, two pillars and a central staircase up to the Dove of consciousness, all observed by the great Eye.  That is Duality creating the opportunity of a third, and also the opportunity to observe and exist from outside of the two possibilities, well above and beyond it.  To be above the polarity, not to swing with the pendulum, not to be dragged along by the swirling vortex that appears to offer no alternatives - but to be in the calm of the center of the storm.

The Rebis as a representation of the Third Light: the physical and the mental light producing the spiritual light:
Super-consciousness.  Awareness of one's duality, of one's polarity, awakened to the combined power
and the higher potential result of both sides of the paradoxical alchemical marriage.

When we extend the concept of the Third Way as super-consciousness, above the system, from 2+1 to 3+1 and 4+1 it becomes clear all these different meditation systems and ways to describe reality are pointing in the very same direction.  The way out of the swirl, seeing the forest for the trees, find a little piece of heavenly rest in the madness of the eternal Game.  And a way to control the game rather than being a blind player in it - a pawn of duality.

The Third way extended to the Fourth Way and the Fifth Element.  Also, a hint by Michelangelo about projection
and reality creation and where that Third Eye may be located physically, if not the focal point of consciousness itself.

Realizing the totality of the self (Atman) and the completeness within and without ourselves is taking a step into the center of the circle, of the projected sphere or Egg around us.  The center of the storm - the Eye of the Storm, the singularity of the vortex.  Stepping behind / out of the observation and then the observer himself and finding out a selfless, boundless, non-dual non-local core.  Is that the way 'out'?  Is non-existence, non-identity the place to go?  It is a realization that will allow for complete acceptance, power over the self and your direct environment and then also a shaping of reality with the greatest ease and comfort.  And that realization can be presented through film to an eager audience.

The Great Cycle in Man: from Conscious to Super-Conscious, to Unconscious and Sub-Conscious.
From wakefulness during the day to unawareness during the night, both literally and symbolically.
Also: the tentative link between AIO as a name of God and Man - is the aware human like a God
and/or does he or she project a God as a thought form to become a real energetic super entity?

Man (human) IS the Creator and the Creation all at once.  Observation is creation, the Cosmic Egg forms around our perception.  The boundary of our Universe is the edge of our Higher Self, our soul.  Maybe we are a brain in a jar in a cruel lab or maybe we are wearing a VR helment and we can't find the OFF switch - or perhaps we are a holographic echo of a Universe once real, now swallowed hole but a singularity at the end of time.  For now, though, we will just keep it at being in a Cosmic Egg of our own expanded consciousness in a Sea of infinite potential.  All roughly the same thing, in the end.

Man as the Cosmos Vortex, as Time and Space itself in ultimate Correspondence but also in Pandeic reality:
Consciousness as the One and only experience. In Hindu / Vedic terms: the mind of Vishnu (the Illusion, the Dream)
as the body of Shiva (The Cosmic Consciousness), as the playground of Krishna (Conscious lifeforms
within the Cosmos on the physical plane)

All is vortex, all is inward and outward spin. At the center a singularity point, a point of realization, consciousness, awareness, now, the center of time (and space).  Observe the hints all around you - more often than not right in your face.  It is pure simplicity in the form of ultimate complexity - how Paradox.  Perhaps the door is the frame around it, perhaps it is the hole in the center, but most likely it is the realization there is a door rather than just a random set of meaningless factors.

 

The Singularity and the Cosmic Egg

How do you like your Cosmic Eggs in the morning?  I like mine with a Spiderwoman's kiss.  What's with the vortex and the two balloons?  A clever little trick illustrates the game's construct:

A fun little vortex game...

Let's make some 5-D films now.

www.5dlux.com

Written by Alexander Lentjes of 5DLux.

The 73rd name of God: Travelling without Moving through a sound-induced Wormhole

Space-time folding in local Wormhole teleportation style has an ancient application that works through the uttering of a single word.  A name that is called the 'Verbum Significatum' by some.  The concept of the 73rd name of God is one of our dearest mystical research subjects and it refers to the 72 + 1 known names of God (although it is unclear exactly which god is referred to) as 5 degree refractions on the 2-Dimensional wheel representing the totality of the Divine Light.  Hit the hyperspace jackpot with the 3 7s of 73.

The wheel as an index of the available energies and powers that can be called upon in one form or another. 

Each refraction - each angle - each section of the wheel represents an aspect of the light and can be called down in the form of an angel and/or demon in Magickal Kabalistic tradition.  The 73rd name, then, is the name only known to ascended masters and entities of the spirit world and it is a word or sound that can fold space-time.  As the books and movie of Dune called it: Travelling without moving.  The movie Jumper showed us what the implications are of the practice of such trans-locational displacement (to make up a term): mayhem when put in the wrong hands.

You can see how the 73rd angle on a 72-angle division of a circle must lie on a second circle or in a fold of an extended 365-degree circle.  Yes, the extra 5 days at the end of the year have a relationship to the 73rd Name.  It is not for nothing that the Ancient Egyptians celebrated the 5 extra days after 12 months of 30 days as a holy week.  The Romans copied this celebration and named it Saturnalia, in honour of Saturn the Timekeeper (AKA Chronos, the Grim Reaper, father of Jupiter).  He who travels through space and thus also time is cheating Charon, the Ferryman.  No coins are due when uttering the Hidden Name!

Jumper: instinctive inborn teleportation

The concept  of the 73rd name appears in the Qu'ran and in Kabalistic texts.  While the mystical masters amongst the Rabbis would open up wormholes to travel to and from Jerusalem at will - or perhaps they found existing wormholes that only those with three open eyes can see, the Islamic implementation was purely reserved for the likes of Solomon, his scribe and the Jinns under Solomon's command.  There is a tantalizing link between Solomon, his physical or mental temple with its divine number proportions, his command of 72 Djinns (elemental and other friendly and not so friendly spirits) and his posession of the Ark of the Covenant - a subspace portal or interdimensional transmitter allowing one to speak to God and/or traverse to higher realms.

Qur'an, sura 27 (An-Naml), ayat 37-40 (note the numbers):
"Solomon said to his own men: 'Ye Chiefs! which of you can bring me the throne of Queen of Sheba before she and her envoys come to me in submission? Said an Ifrit, of the Jinns: 'I will bring it to thee before thou rise from thy council: indeed I have full strength for the purpose, and may be trusted." "Said one who had knowledge of the Book: 'I will bring it to thee within the twinkling of any eye!' Then when (Solomon) saw it placed firmly before him, he said: 'This is by the grace of my Lord!"

It is not entirely clear from the Qu'ranic text whether the appearance of the throne was a physical one or an apparition.  The Queen of Sheba had put the throne behind 7 doors, when the use of the 73rd word teleported the throne right out of there into Solomon's temple, or at least an image of the throne.  The 7 doors read as a symbol of the inner-most part of the Queen's palace and more likely refer to the inner-most sanctuary within her body and soul - the emeral heart.  Indeed, it is the Secret (Emerald) Heart that is the portal to other dimensions, supplying a doorway to the seven heavens and seven doors leading to the Divine Light itself.  The exact location of this portal can be found at the 7:3 ratio point in the body.  7:3 is of course a version of that number 73.

The 7:3 Stargate we carry inside of us

When putting the human body against our Solar System, using true distances, the Microcosm of the Temple of Man corresponds to the Macrocosm of our Solar System.  This is no surprise, as all forms in our system are made from the same elements with the same inter-body proportions, dictated by the same fractal algorithm instructing everything observable and non-observable into a Harmonic Grid Matrix (also called the Cosmic Egg).

Of specific interest for the subject of the 7:3 gateway is the area of the Asteroid Belt between Mars and Jupiter and then again the planet of Uranus.  In Greek mytholgy, Uranus is father of Saturn (Chronos, time-keeper, temporal Matrix guardian), together with Gaia (Earth).  Our special relationship with Uranus is underexposed by most mystical literature but it becomes more and more clear once the links are exposed.  It is not coincidental that there is a great connection in movies like 2001: A Space Odyssey and Interstellar between portals, gateways, wormholes and Jupiter.  Now for the exposure of Uranus as the counter-portal.

Sure, feel free to insert a linguistic faux pas anatomy joke in there (Ur-anus) and you may actually be touching upon the tantalizing link between Saturn as the center between the two 7:3 portals (37 and 73), its portal (wormhole) entry and Root Chakra Kundalini-energy potential uncoiling.  The center between 37 and 73 is 55.

The 7:3 gateways in the Asteroid belt and the 3:7 gateway at Uranus

The principles of Truth are 7 and there are 7 levels with 3 sub-levels to the Cosmos in Hermetic teaching.  7 and 3, adding up to 10 (the top of the Kabalistic Tree of Life) and multiplying leads to the number 21.  A great card game (Blackjack) but also a divine number describing our predicament - perhaps the name Blackjack is actually an ironic reference to our current spiritual state of being (Kali Yuga: a Dark Iron age).  As we are in the 42nd breath of Brahman, 21 is the number of the out-breath before the great inhale commences, which should be just about now, judging by the Kali Yuga calendar.  Not surprisingly, the number 73 can be found in places such as the fine structure constant: 7.29735257×10⁻³ (In physics, the fine-structure constant is a fundamental physical constant, namely the coupling constant characterizing the strength of the electromagnetic interaction. Being a dimensionless quantity, it has the same numerical value in all systems of units.).

The 7:3 (70-30) stargate and the Chacana Cross

We have all heard the stories of the Aztecs (Mexica) and their focus on the Heart as an important link to the domain of the Gods.  It may be a lucky coincidence - although at 5DLux we do know those are actually very rare - but the Chakana cross as found in Aztec culture connects perfectly with the 7:3 portal.  As the Gate of the Sun at Lake Titicaca - the birthplace / place of emergence of Man and his guides in Aztec religion - has a 7:3 ratio, it is logical to connect the concepts of the portal of the Heart, the portal of the gate, the Sun as a portal and the communication with the entities representing the Sun and its family (Huitzilopochtli, Quatzalcoatl).  In Western religion and specifically its mystical branches, the Son / Sun of God shows the portal to the Light as being the Heart - the Sacred Heart, right at the center of the 7:3 ratio in the body.

The Chacana Cross, the angle of ascension, the center of the body, the three Hearts and the Emerald Gateway

All paths lead to the Secret Heart, the Hridayam.  Find the Light beyond the Outer and the Inner Heart.

The angle of ascention: well known to ancient Egyptian high priests and Pharaos

Another angle to the question of 360 degrees is to divide Man up into his or her 5 senses (or 5 extremes: head, arms, legs), which makes for 72 divisions per sense.  Man + woman is then 720 angles / degrees.  The 730th degree is the Child, the Son (and the Sun).  Space-time travel is a reality right now, because of our physical bodies.  So the Human body can be called the Merkabah - the Chariot of the Gods, the 73rd refraction of the Divine Light, the chip off the old block, the space-time traveling device of the soul.  Does that help us to jump to the Eiffel Tower without getting on a plane?  Not on the surface of things but one can always travel there Astrally or find a wormhole by looking with all your senses (360 of them) for a shortcut through the 4th Dimension.

The Owl and the Fox: 7 and 3, Fire and Air, Fire and Transendence
Also called the Lion and the Rose.

The undividable light was refracted and brought down to Earth to experience partitioned time and space.  Time doesn't exist but for the perception of light by Life of Earth, including Man.  So to procreate (make babies) is to continue the existence of time and the great experiement of Soul embodiment.  Without conscious experience, time ceases to be of any importance, especially its small divisions as perceived by Man.  365 divisions on a trip around the Sun, 3600 divisions (seconds) in an hour, 86,400 divisions in a full day.

These are all thoughts of Hermetic Correspondence, of Cosmonogy, of Landscape Astrology and Astro-theology.  It's the place we hang out on Monday mornings with a good strong cup of Joe.  The Cosmos in Man, Man in the Cosmos and further: Man created by the Cosmos and the Cosmos created by Man.

Man as the Merkabah - Chariot of the Soul as a 73rd refraction of the Divine

Let us leave you with a last thought on that space-time fold.  The divine musical frequency of 432hz (6x 72Hz): a frequency that can help in opening up portals in itself, can be represented through geometry as an Alpha and an Omega, a Horn of Plenty and a Klein Bottle.  To us, that is no coincidence and we love the beautiful fact that the 73rd degree can be found in the dimensional-crossing singularity of the shape, diving well into the paradox of higher dimensional location.

The 73rd degree as the Singularity, the point of Paradox in the bottleneck of the Horn of Plenty

There is another angle to the story of the number 73 and its relationship to inter-dimensional travel.  Our friend Anthony Morris has found through the application of something called the Partition Table (a mathematical concept) how reality can be described through the central number set 27, 37, 55, 73 and 72.  The numbers 37 and 73 are delineations of our dimensional plane and cross over into lower and higher dimensions.  As such, any dimensional portal or rift would appear in the presence of the number 37 or 73 in practical or conceptual form.  Interesting things happen on the edge of things quantum, if Causal Dynamical Triangulation is somewhat correct then at scales smaller than the micrometer range space starts moving from 3 Dimensions to 2 Dimensions and this has all sorts of effects that may be counterintuitive (a hint at how sacred geometry might actually work within a quantum mechanical framework). Mesoscopic Optics and Quantum Thermodynamics is a rather new and emerging field.  Until these fields are clear on the borderland of dimensions, we will continue to sing our songs with very particular frequencies to move energies along spatial-temporal axes.

The Partition Table as a reality Hologram Projector

 The symbol of 7 as a hook has a very relevant historican background.  The closest shape in the Hebrew alphabet is the Vav (Vau / Waw).   It is the sixth letter of the Northwest Semitic family of scripts, including Phoenician, Aramaic, Hebrew, Syriac and Arabic ("sixth" in abjadi order; it is 27th in modern Arabic order).  In Egyptian hieroglpyhs it is the Quail Chick.  In Arabic and thus in most Semitic languages it represents the sound [w].  Vav literally means hook/peg/spear.

7 2 = Zayin (Sword), Bet (House)
7 3 = Zayin (Sword), Gimel (Staff sling).

Although Gimel as the third letter would translate to Gamma in Ancient Greek and C in the modern English alphabet, its shape is that of a Labda and its relationship to the modern L is undiable.  So again a hook.  The hook itself is represented in Hebrew as the letter Waw / Vav (number 6: macrocosm).  The mathematical number Vav is a fractal number; an infinite number that loops back on itself (see the excellent explanatory math doodle video).  The hook (the number 7, the letter L) as a representation of a local space-time paradox - as angles cannot be measured absolutely - is also a representation of an arm of the Galactic swirl, the
vortex with the paradoxical void of the black hole in the middle.

Hey, what a coincidence: a Labda in the logo of NASA
and the word NASA in an Abramelin Magick Square to allow for
flying on a cloud.

The Triskelion is of course a representation of this concept: three arms - three sevens - connected together.  The flag of the Isle of Man, the original Korean flag and the Celtic triple spiral are famous versions of this form.

Flag of the Isle of Man: Three legs, three sevens.

Three sevens equals 3 x 7 = 21.  So a clear link exists between the numbers 3 and 7 and then the galactic plane, space and time and finding a (worm)hole to travel through interdimensionals space to another part of the spiral or the center itself.  Not surprisingly, the minimal shape required to represent or build 3-Dimensional space is a tetrahedron: a pyramid with three faces and a triangular base, constructed using three 7's (three L's) connecting four dots / angles.  The totality of angles equals 720 degrees.

The Tetrahedron and 73: Three Sevens make a Triskelion to define 3-Dimensional space (XYZ).But not all space is filled this way...

The Triskelion and the World Tree - representations of the Great Vortex Donut of the Realities

And of course 73% plus 27% is 100%. Totality requires all refractions of the Divine Light that make up reality: 72, plus the 37 of hyperspace to make up the All.  A clear mirror function is at play here as well.

The number of our galaxy is 21. Its resonance frequency is 7.2 Hz.

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